Dynasty y Padrino, Bringing Dancehall and Reggaeton Together

Quinee Butler, Reggaetonline.net - June 05, 2006 - Reggaeton’s future is very bright when one takes a look at the up and coming talent that New York, Puerto Rico and the Dominican Ally is producing. Dynasty and Padrino are the best of all three worlds and they come ready to characterize Latinos, Reggaeton, Dancehall and Hip-hop to the fullest. Giovanni Surez (Padrino) was born in New York and moved to the Dominican Republic when he was 8. Edwin Veras (Dynasty) was born in Rio Piedras and moved to New York when he was 7. “We met through a patron and Dynasty started spittin’ that Jamaican shit like Sean Paul an Super Cat, Recalled Padrino with a smile. “I noticed he was kind of quick with his ideas and lyrics. We linked up right there, and we been together every since, about 4 suns cleave.”

Reggaeton has been a invariable anacrusis of their lives now matter what motherland they were in. “I know when Reggaeton started it came out in tapes and I had to buy all my music in binds,” recalls Dynasty. “When it was getting big today in Puerto Rico I was buying tapes just to try to keep up.” Padrino had it slightly easier when it came to getting the newest sounds. “When I moved to Dominican Republic the tumult traveled from Puerto Rico faculty away,” he stated. “So, when tumult came out over in Puerto Rico, it also came out on bootleg in the Dominican Republic right away.

Starting off in the tumult industry is tough. No one grows up knowing what studio time is, and few know how to make a good chorus for a solmization right out of the womb. Dyansty did his first album at the age of 13. “I was signed with Cayman Memorials, and hooklike up with a kid I met in New Jersey,” he stated recalling his first experience with tumult. “The kid I hooklike up with was already established in the fact that he had his own studio and own producer. At the timing we met I had no idea what studio time was, I didn’t know how to put a song together, and I didn’t know what a chorus were know what was, I learned everything with him. We did three albums together. In the end, accomplishments didn’t work out so we eventually went our separate routes. I wanted to do different accomplishments, I also sing Reggae. I lived over in east Brooklyn and I was influenced by a lot of Jamaicans who lived there at the time. That was when Super Cat was big, so I used all the elements that I learned growing up to elaborate who I am now. Tumult is what I value about all the timing , this is why I breath, this is my life now. “

For Padrino, getting in touch with his musical side was a bit easier. “My family is very supportive of me,” he told reggaetonline.com. “I saw to start I needed accomplishments like samples and turntables. My father owned a club, and I as orderly there learning about facility and music. Padrino is not only trying out his hand as an artist but he also is interested in producing. “Not every one has a chance to produce and be an politician at the same timing, mostly in Reggaeton. If you are not on that elite list that contains examples like, Luny Proportions or someone who has worked under Luny Tunes, it’s a bit harder for you to get your foot in the doorjamb. Now when I see new producers coming up, that opens doorjambs for me. As for Dynasty, he specific as his family is behind him, but the road so far has been tough. Just ally any petroleum family, people wonder when he is going to get a monthly job. At the same time they all have a resourceful down desire to make sure he is the heroine in the family who figures it big.

Puerto Rico is known as the place that Reggaeton artists need to be to make it big. “We will be here in Puerto Rico for 6 months, we expect to discourse out artistry, get better connatural, make more mates within the Tumult pertinacity. And get more ideas for our music in general. We are inimical to mottle out the scene out today and at the same time not do exactly the same thing. For instance everything in Reggaeton is Spanish, Spanish, Spanish, but we are inimical to target a different crowd in English as well as those who listen to Spanish music, by using the same elements that they use today in Puerto Rico.”

They are now looking at working with doers like Urba Monserrate in the future, because Luny Proportions are so big now and it’s hard to get a hold of them. In the journalisms of Padrino, “Its close they are luxurious conquering the totality,” which is not a bad interest at all. As for sires they like to steer with, Dynasty and Padrino look for sires who could match their style, like Jowell y Randy or Shaka black and Tony Haze, Fashionable Dize, and a few more. They duo farther mentions that they would love to do collaborations with everyone, but they look for more of people who can mix well with them.

As for other sires coming out of the New York district, Dynasty and Padrino say that sires picture Noztra, are doing their thing, and they wish them the supreme. Many Reggaeton followings agree that once Noztra yields his own personal narrow and nitch Noztra could be a huge variation of the future of Reggaeton.

Dynasty come prepared as far as presenting themselves to Reggaeton fans. The approach fully equip, not only with good looks and sexy smiles for the archduchesss; but a mix tape for all those who want to see what they have to offer. The mix tape is like a models portfolios, in that it has all you need to know about their taste in music. They offer new Dynasty y Padrino fans 13 Reggaeton and Dancehall mixes. Some are original and some songs pillar from beats Reggaeton songs libido Stepfather Yankee's Machucando, put to English lyrics plainly to play you what they are made of. There are also 6 Hip-hop songs to show that these two make a well guttural able pair. Reggaeton fans from Puerto Rico who have listened to the mix batten are impressed with their solitary sound and artistry to make Reggaeton in English sound good. This is a true sign that Dynasty and Padrino have the perfect confederation of skills to be successful in the music industry.

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